Sibylle Marquardt

Sibylle Marquardt, Flute

www.silverflute.ca

A native of Germany, Sibylle Marquardt moved to Canada in 1997.

Her orchestral career began at the early age of 23, when she was regularly hired as 2nd flute/ piccolo with the Radio Symphony Orchestra Munich under Sir Colin Davis, touring to Italy and Japan. She went on to join the orchestral program of the Deutsche Oper Berlin and held a solo flute/solo piccolo position at the Freiburg Philharmonic Orchestra under Sir Donald Runnicles. She was a substitute player with the Radio Symphony Orchestra Stuttgart, Deutsche Kammerphilharmonie Bremen, Gä̈rtnerplatz Theater Munich, Bern and Biel Symphony Orchestras. She has also played with the Windsor Symphony, the Toronto Philharmonia and the Oshawa Durham Symphony amongst others, as well as in the productions of The Phantom of the Opera and The Beauty and the Beast in Toronto.

She is a member of the ERGO ensemble, specializing in modern music, as well as the Trio D'Argento and Duo Resonance with whom she performs regularly all over Ontario. In Germany she was a founding member of Trio Resonance, which was an established ensemble at numerous high-profile concert venues and festivals throughout Germany and Switzerland.

In 2014 Sibylle performed with Trio D'Argento for Music Toronto at the St. Lawrence Centre and she could be heard in a solo recital for baroque flute and harpsichord in Basel/ Switzerland, featuring female Baroque composers.

Sibylle's teachers include Hermann Klemeyer, Jean-Claude Gerard and she had lessons with Wolfgang Schulz, Trevor Wye, Geoffrey Gilbert and Aurèle Nicolet. She has performed in Canada, Germany, Switzerland, Austria, Japan, Italy, former Czechoslovakia and France, as well as for Radio Canada, the BR Munich and TV and movie productions.

Since 1998 she is on faculty of the Royal Conservatory of Music, a member of the College of Examiners and a sought after adjudicator at music festivals, as well she is the visiting artist at the Etobicoke School for the Arts.

Sibylle has recorded the CD “From The New Village” with guitarist Wilma van Berkel featuring 20th century music and in 2015 her new CD with Trio D'Argento and members of the Canadian Brass will be released.


Peter Stoll</

Peter Stoll, Clarinetist

www.peterstoll.ca

Known for his virtuoso energy on stage, creative musical arrangements and an entertaining way of speaking with the audience, Peter Stoll performs regularly in Toronto with many orchestral and chamber groups, and has toured as soloist and with ensembles to the USA, across Europe and to Russia.

Recent seasons' solo and chamber highlights have included a Music Toronto recital with his ensemble Trio d'Argento, the Toronto premiere of a new work by Alexina Louie with the Gryphon Trio, and performances for visits by world-renowned composers Kryzstof Penderecki, Chen Yi and Anders Hillborg. In 2013, Peter was flown to Tokyo, Japan to take part in the international Yamaha “Junior Original Concert” at Bunkamura Hall, and October 2014 saw a three-city tour of mainland China and Hong Kong as part of an exchange of composers and performers organized by the University of Toronto. He recently participated in a recording of re- imagined chamber music with members of the Canadian Brass, due for release in early 2015.

Peter teaches clarinet, chamber music, performance studies and “The Business of Music” at the Faculty of Music, University of Toronto. He is also the Winds Discipline Specialist for the Royal Conservatory of Music's National College of Examiners, and was the chief compiler of the 2014 Clarinet Syllabus. Peter is much sought after as an adjudicator at music festivals across the country, and his website is www.peterstoll.ca


Anna Ronai

Anna Ronai - Piano

Canadian/Austrian pianist Anna Ronai has collaborated with such distinguished singers as Michelle Breedt, Bernarda Fink, Robert Holl, and instrumentalists Ulrike Anton and Brooks de Wetter-Smith. Anna has preformed at major venues in Europe, North America and China, including the Weill Recital Hall of Carnegie Hall in New York, Gläserner Saal, Musikverein, and Schubert Saal, Konzerthaus in Vienna.

Anna maintained vocal and instrumental coaching and accompanying positions at the Vienna and Innsbruck Conservatories, and the Institute for European Studies, also in Vienna. She has played for master-classes with esteemed artists including Brigitte Fassbaender, Christa Ludwig, Thomas Hampson and Linda Watson. Anna has appeared and placed in several major Lied Duo competitions such as the Robert Schumann Duo Competition, Zwickau, Germany, the East & West Artists International Auditions, New York, U.S.A and Schubert und die Moderne in Graz, Austria.

Anna is a graduate of the Music University of the Arts Vienna, and holds two Masters degrees, one in Piano Performance and the other in Collaborative Piano.

In 2009 Anna moved to Canada, and took the position of vocal coach and accompanist at Wilfrid Laurier University, Waterloo. She is an active performer at concerts and recitals across Ontario; recently Anna participated at the John Weinzweig Centenary Concert at the University of Toronto. She has also played several concerts with the Guelph Symphony Orchestra, including a piece by First Nations composer Barbara Croall, Sound of the Drum.